Related Paintings of unknow artist :. | Selfportrait | Half-length Portrait of an Unknown Officer | Children with Parrot | The Magic Lantern | Saint Cosmas and Saint Damian Crucifixed and Stoned |
Related Artists:
Bartolome Bermejo
Spanish Early Renaissance Painter, ca.1405-1498
Charles Leickert
22 September 1816, Brussels - 5 December 1907, Mainz was a Belgian painter of Dutch landscapes. Orphan Leickert first learned painting in The Hague under the supervision of landscape painters Bartholomeus van Hove, Wijnand Nuijen, and Andreas Schelfhout among many others. Leickert specialised in winter scenes, sometimes romanticising the sky in pale blues and bright pinks. He painted almost all his works in the Netherlands, from 1841-1848 in The Hague and from 1849-1883 in Amsterdam. In 1856, he became a member of the Royal Academy of Amsterdam. At the age of 71 he moved to Mainz, Germany where he later died in 1907.
James Smetham
1821-1889 was an English Pre-Raphaelite painter and engraver, a follower of Dante Gabriel Rossetti.[1] Smetham was born in Pateley Bridge, Yorkshire, and attended school in Leeds; he was originally apprenticed to an architect before deciding on an artistic career. He studied at the Royal Academy, beginning in 1843. His modest early success as a portrait painter was stifled by the development of photography (a problem shared by other artists of the time). In 1851 Smetham took a teaching position att the Wesleyan Normal College in Westminster; in 1854 he married Sarah Goble, a fellow teacher at the school. They would eventually have six children. Smetham worked in a range of genres, including religious and literary themes as well as portraiture; but he is perhaps best known as a landscape painter. His "landscapes have a visionary quality" reminiscent of the work of William Blake, John Linnell, and Samuel Palmer.[2] Out of a lifetime output of some 430 paintings and 50 etchings, woodcuts, and book illustrations, his 1856 painting The Dream is perhaps his best-known work. He was also an essayist and art critic; an article on Blake (in the form of a review of Alexander Gilchrist's Life of William Blake), which appeared in the January 1869 issue of the Quarterly Review,[3] influenced and advanced recognition of Blake's artistic importance. Other Smetham articles for the Review were "Religious Art in England" (1861), "The Life and Times of Sir Joshua Reynolds" (1866), and "Alexander Smith" (1868). He also wrote some poetry. Smetham was a devout Methodist, and after a mental breakdown in 1857, the second half of his life was marked by a growing religious mania and eventual insanity. "In one of his notebooks he attempted to illustrate every verse in the Bible."[4] (Smetham habitually created miniature, postage-stamp-sized pen-and-ink drawings, in a process he called "squaring." He produced thousands of these in his lifetime.) He suffered a final breakdown in 1877 and lived in seclusion until his death. Smetham's letters, posthumously published by his widow,[5] throw light upon Rossetti, John Ruskin, and other contemporaries, and have been praised for their literary and spiritual qualities.